http://129.102.1.137/ 2026-04-16T17:07:40+02:00 http://129.102.1.137/ http://129.102.1.137/ttp://129.102.1.137/lib/tpl/repmus/images/favicon.ico text/html 2020-04-03T08:06:04+02:00 http://129.102.1.137/efficace/wp/agger?rev=1585893964&do=diff Visualization, Control and Processing of Sounds as 3D Models Savannah Agger is composer-in-residence at Ircam (from December 2016 to March 2017). Her project Landschaften explores the idea of manipulating, hearing and experiencing sound as a three dimensional body in space. This compositional work is exploring this idea of sound as space in itself and the composition as a landscape, travelling through the different dimensions of the sound and it’s inner structures. text/html 2017-03-26T17:33:33+02:00 http://129.102.1.137/efficace/wp/analysis?rev=1490542413&do=diff Concert: Livre Digital - Fronteiras Musicais: Tecnologias que desafi(n)am os sentidos Barão Geraldo, SP, Brasil, 28/08/2014 Encerrando 1o Colóquio Franco-Brasileiro de Análise e Criação Musicais com Suporte Computacional, Livre Digital será uma noite dedicada à exploração de fronteiras musicais: improvisação fora de qualquer padrão, explorando novas sonoridades e processos. Tecnologias que desafi(n)am os sentidos, algoritmos que dialogam com instrumentistas humanos. Cabe ao espectador desve… text/html 2016-09-14T12:13:31+02:00 http://129.102.1.137/efficace/wp/heart-rate?rev=1473848011&do=diff John MacCallum & Teoma Naccarato Musical research project - Sept. December 2014, IRCAM The composer John MacCallum and choreographer Teoma Naccarato propose a collaborative project that examines the use of real-time, heart rate data from contemporary dancers to drive a polytemporal composition for instrumental ensemble with live electronics. text/html 2016-05-20T17:36:41+02:00 http://129.102.1.137/efficace/wp/musical-processes?rev=1463758601&do=diff Dynamic Music Generation with Formal Specifications This example takes place in the context of automatic music generation systems combining formal specifications of temporal structures and interactivity. Such systems find applications for instance in computer improvisation. The objective is to embed agents generating musical material in high-level, formal while interactive time structures. We consider the generation engine of ImproteK, an interactive music system dedicated to guided or composed… text/html 2017-12-20T12:37:08+02:00 http://129.102.1.137/efficace/wp/pom?rev=1513769828&do=diff Philippe Leroux, Jérémie Garcia Quid sit musicus? (2014) Jeremie Garcia and Philippe Leroux used the OM reactive extension during the composition of Leroux's piece Quid sit musicus? (premiered in June, 2014 at IRCAM during the Manifeste Festival). text/html 2019-05-27T10:13:47+02:00 http://129.102.1.137/efficace/wp/trajectoires?rev=1558944827&do=diff Jérémie Garcia, Xavier Favory, Jean Bresson (2015) Trajectoires is a mobile application that allows drawing sound sources trajectories. The trajectories remotely control any spatial audio renderer using the OpenSoundControl protocol. We are investigating the new possibilities offered by mobile devices such as smartphones and tablets to support sound spatialization control by composers. This project aims at combining gestural input with touch input to draw trajectories and the sensors integrat…