http://repmus.ircam.fr/ 2026-04-16T12:24:40+02:00 http://repmus.ircam.fr/ http://repmus.ircam.fr/ttp://repmus.ircam.fr/lib/tpl/repmus/images/favicon.ico text/html 2020-06-06T19:15:48+02:00 http://repmus.ircam.fr/agon?rev=1591463748&do=diff Professeur à Sorbonne Université IRCAM - CNRS UMR STMS Carlos.Agon [at] ircam.fr (+33) 1 44 78 48 33 * Les pages de Steven text/html 2011-10-27T11:57:23+02:00 http://repmus.ircam.fr/aidegalaxie?rev=1319709443&do=diff The candidature process comprises 3 phases : * completing the online candidature process with the Galaxie server * gathering information in a PDF file and sending it by email to the committee * upon pre-selection in the short list by the committee, coming to UPMC to meet the selection committee for an oral presentation with questions text/html 2016-04-06T10:13:35+02:00 http://repmus.ircam.fr/antescofo?rev=1459930415&do=diff <div class="news_box" style="width: 35%; float: right"><div class="news_header"><a class="news_header_link" href="http://repmus.ircam.fr/news/allnewsdata">NEWS flash</a></div> <div class="news_list" style="margin-right: 10px !important;""> </div></div> text/html 2011-11-28T02:04:46+02:00 http://repmus.ircam.fr/argument_francais?rev=1322442286&do=diff En 2004, Gérard Assayag et Marc Chemillier ont organisé une rencontre sur l' improvisation et les nouvelles technologies à l'Ircam qui a eu un impact majeur en identifiant les contours d'une communauté internationale de chercheurs et de musiciens (et quelquefois de musiciens chercheurs) œuvrant à la frontière entre improvisation (du jazz aux musiques contemporaines et actuelles), médias numériques et programmation. L'événement permettait de faire le point sur les techniques, les dispositifs, les… text/html 2017-01-18T08:42:04+02:00 http://repmus.ircam.fr/arshia-cont?rev=1484725324&do=diff <div class="news_box" style="width: 35%; float: right"><div class="news_header"><a class="news_header_link" href="http://repmus.ircam.fr/news/allnewsdata">NEWS flash</a></div> <div class="news_list" style="margin-right: 10px !important;""> </div></div> Head of Research, MuTant Team-Project (INRIA/CNRS/Ircam). Director, Department for Research/Creativity interfaces. Ircam - Centre Pompidou, Paris, France. arshia.cont [at] ircam [_dot_] fr text/html 2020-06-13T13:35:30+02:00 http://repmus.ircam.fr/assayag?rev=1592048130&do=diff Gerard Assayag's personal page on STMS Lab site text/html 2014-08-23T00:31:23+02:00 http://repmus.ircam.fr/atiam?rev=1408746683&do=diff SOUTENANCES ATIAM 2013-2014 JEUDI 4 SEPTEMBRE 15h30-16h Vincent Roggerone - Suivi de tempo appliqué aux musiques improvisées (3.43 Mo) Encadrants : Arshia Cont, Gilbert Nouno Relecteurs : Carlos Agon, Philippe Esling 16h-16h30 Arthur Belhomme - Méthode de déreverbération tardive de la parole (6.1 Mo) Encadrant : Eric Humbert Relecteurs : Roland Badeau, Jean-Dominique Polack text/html 2011-12-19T18:33:45+02:00 http://repmus.ircam.fr/atiam_ml_2011?rev=1324316025&do=diff Instructors: Arshia Cont and Mathieu Lagrange This course provides an introduction to pattern recognition and statistical learning for the ATIAM Masters at Ircam during the school year 2011-2012. The goal of the course series is to expose students to problem solving tools using machine learning techniques and intuitions behind each approach. text/html 2012-12-15T16:35:34+02:00 http://repmus.ircam.fr/atiam_ml_2012?rev=1355585734&do=diff Instructors: Arshia Cont and Mathieu Lagrange This course provides an introduction to pattern recognition and statistical learning for the ATIAM Masters at Ircam during the school year 2012-2013. The goal of the course series is to expose students to problem solving tools using machine learning techniques and intuitions behind each approach. text/html 2014-01-13T18:10:55+02:00 http://repmus.ircam.fr/atiam_ml_2013?rev=1389633055&do=diff Instructors: Arshia Cont and Mathieu Lagrange This course provides an introduction to pattern recognition and statistical learning for the ATIAM Masters at Ircam during the school year 2013-2014. The goal of the course series is to expose students to problem solving tools using machine learning techniques and intuitions behind each approach. text/html 2020-11-17T10:22:40+02:00 http://repmus.ircam.fr/bedoya?rev=1605604960&do=diff IRCAM | STMS-Lab | LinkedIn | GitHub | SoundCloud | Personal website Daniel Bedoya Doctoral Student - ERC AdG COSMOS Institut de Recherche et Coordination Acoustique / Musique (IRCAM) Centre National de la Recherche Scientifique (CNRS) UMR9912 – Science et Technologies de la Musique et du Son (STMS) text/html 2018-10-29T14:13:46+02:00 http://repmus.ircam.fr/biographie?rev=1540818826&do=diff text/html 2013-12-15T23:37:33+02:00 http://repmus.ircam.fr/bloch?rev=1387147053&do=diff Associate Professor Université de Strasbourg, Faculté des arts Associate Researcher Ircam - CNRS UMR STMS Music Representations georges.bloch [at] ircam.fr (+33) 1 44 78 16 49 Centers of interest  * Compositions and Performances: Interactive music, music and space, music and image * Research: Machine improvisation, constraint-based composition, mathematical models for music, spatialisation, dramaturgy of musical theater * Pedagogy: Music and technology, music and movies… text/html 2020-06-04T18:04:13+02:00 http://repmus.ircam.fr/blondeau?rev=1591286653&do=diff Ph.D. Student in Composition (2015--2017, defense december 2017) * Lab : Ircam (UMR 9912, STMS) * Team : Musical Representations * Research directors : Jean-Louis Giavitto (IRCAM - CNRS), Dominique Pradelle (Sorbonne Université, Philosophie) text/html 2017-09-12T12:56:07+02:00 http://repmus.ircam.fr/bouche?rev=1505213767&do=diff Ph.D. - Computer Science applied to Music dimitri.bouche [at] ircam [dot] fr Linkedin Supervisors : Jean Bresson, Gérard Assayag Lab : IRCAM - CNRS UMR 9912 (STMS) Music Representations Team 1, place Igor-Stravinsky 75004 Paris - France University : UPMC - Université Pierre et Marie Curie (Paris VI) EDITE de Paris - École Doctorale Informatique, Télécommunication et Électronique 4 Place Jussieu 75005 Paris- France text/html 2020-01-12T01:36:45+02:00 http://repmus.ircam.fr/bresson?rev=1578789405&do=diff => My up-to-date information is now here ! Jean Bresson Directeur de Recherche IRCAM | IRCAM Senior Researcher UMR Science et Technologies de la Musique et du Son (STMS) IRCAM – CNRS – Sorbonne Université STMS-Lab | HAL | GitHub | Google Scholar | LinkedIn | Academia.edu text/html 2014-09-10T16:10:07+02:00 http://repmus.ircam.fr/bureaux1415?rev=1410358207&do=diff Les permanents REPMUS: * Arshia Cont - A216 * Jean-Louis Giavitto - A216 * Florent Jacquemard - A216 * Jean Bresson A107 * Moreno Andreatta - A106 * Carlos Agon - A106 * Gérard Assayag - A108 * Philippe Esling - A106 Les thésards/en contrat: text/html 2017-05-04T21:29:02+02:00 http://repmus.ircam.fr/cabanzo?rev=1493926142&do=diff <div class="news_box" style="width: 20%; float: right"><div class="news_header"><a class="news_header_link" href="http://repmus.ircam.fr/news/allnewsdata">NEWS flash</a></div> <div class="news_list" style="margin-right: 10px !important;""> </div></div> Ph.D. Student in Composition and Musicology - Université Paris Sorbonne - IRCAM- text/html 2019-12-01T23:17:36+02:00 http://repmus.ircam.fr/cao?rev=1575238656&do=diff Visual programmes and musical editors in PatchWork ---------- Links to related (sub)projects * : Visual programming environment for Computer-Aided Composition * Rhytmic projects * EFFICAC(e): Extended Frameworks for "In-time" Computer-Aided Composition. text/html 2015-10-24T19:05:30+02:00 http://repmus.ircam.fr/cuvillier?rev=1445706330&do=diff PhD Candidate firstname [dot] lastname [at] ircam [dot] fr or firstname [dot] lastname [at] polytechnique [dot] org Supervisor: Arshia Cont Lab : IRCAM — CNRS UMR 9912 (STMS) MuTant Team-project — Inria, Ircam, UPMC, CNRS c/o Music Representations Team — Ircam 1, place Igor-Stravinsky 75004 Paris — France University : UPMC — Université Pierre-et-Marie-Curie (Paris VI) EDITE de Paris — École Doctorale Informatique, Télécommunication et Électronique 4, place Jussieu 75005 Paris… text/html 2020-10-24T13:22:35+02:00 http://repmus.ircam.fr/deguernel?rev=1603538555&do=diff Ken Déguernel Doctor in Computer Music Postdoctoral Researcher New updated personnal website ---------- text/html 2013-08-27T17:03:44+02:00 http://repmus.ircam.fr/depaiva?rev=1377615824&do=diff PhD student in computational musicology. Supervisors: Moreno Andreatta (IRCAM - CNRS), Jônatas Manzolli (UNICAMP - NICS), Jean Bresson (IRCAM - RepMus) NICS Rua da Reitoria, 165 Cidade Universitária "Zeferino Vaz" 13083-872 Campinas - BRAZIL text/html 2021-04-02T17:24:06+02:00 http://repmus.ircam.fr/devis?rev=1617377046&do=diff text/html 2014-04-07T15:48:57+02:00 http://repmus.ircam.fr/diverio?rev=1396878537&do=diff Page personnelle de Diego Diverio Stagiaire de l'équipe Représentations Musicales, encadré par Jean Bresson et Jean-Louis Giavitto. Je travaille sur les représentations spatiales appliquées dans le domaine de la musique, notamment à base de graphes et de complexes simpliciaux, objets issus de la topologie algébrique. text/html 2020-12-15T00:16:51+02:00 http://repmus.ircam.fr/donat-bouillud?rev=1607987811&do=diff Phd student, starting in September 2016, at Ircam (a lab associated with Pierre et Marie Curie University), working on Antescofo and more generally, on systems with languages that express complex temporal relations. Supervision by Florent Jacquemard and Jean-Louis Giavitto. text/html 2021-01-10T17:44:07+02:00 http://repmus.ircam.fr/ducher?rev=1610297047&do=diff Ph.D. Student in Computer Music - IRCAM - CICM / MUSIDANSE - EA 1572 (Université Paris 8) Lab : Ircam (UMR 9912, STMS) * Team : Musical Representations * Research directors : Alain Bonardi (Paris 8 / MUSIDANSE / CICM - IRCAM / APM) and Mikhail Malt (Ircam / RepMus, UMR 9912 - STMS / Sorbonne Universités UMR 8223, ED 0433) * Thesis title: Semiotic Time Units as the foundation for Computer-aided Improvisation systems : link text/html 2015-09-14T15:09:09+02:00 http://repmus.ircam.fr/echeveste?rev=1442236149&do=diff ATER at Collège de France * Lab : chair Algorithms, Machines, and Languages (Gérard Berry) ; Ircam (STMS) * Team : l'équipe-projet Mutant (UMR STMS 9912 - CNRS - INRIA - UPMC) Musical Representations * jose.echevesteatircam.fr Research Interests * Domain Specific Language for Music * Score Following * Synchronous Programming * Formalization of the constraints of musical coherence * Development and implementation of a synchronous language for writing real-time musical interact… text/html 2011-11-28T13:32:21+02:00 http://repmus.ircam.fr/electionsconseillabo?rev=1322483541&do=diff Suite au renouvellement en cours de la convention d'unité, de l'évolution de ses effectifs notamment par l'arrivée de nouveaux chercheurs et de l'incorporation des ITA (ingénieurs, techniciens, administratifs) la structure du conseil de labo a été modifiée. La nouvelle structure a été approuvée par l'ancien conseil et un nouveau conseil doit être élu selon les modalités ci-après. text/html 2011-12-17T11:28:54+02:00 http://repmus.ircam.fr/electronic-music-composition-design?rev=1324117734&do=diff Electronic Music Composition & Design A musical Research with the French Jazz flute player Malik Mezzadri has lead to the formalization of the concept of Tonal Signatures, further extended by Bruno Simeone as Boolean Signatures. You can hear an example of Boolean Signatures used in some musical improvisation here . Below are some articles regarding the associated concepts. text/html 2021-03-18T10:45:00+02:00 http://repmus.ircam.fr/eniale?rev=1616060700&do=diff Elaine Chew | COSMOS | Research Blog | Research Bio | Music Blog| Music Bio | Soundcloud | YouTube | [CV] Elaine Chew Senior Researcher, CNRS – UMR9912 / STMS Lab, IRCAM, 1 place Igor Stravinsky, 75004 Paris, France | www.stms-lab.fr/person/elaine-chew Visiting Professor, King's College London, Faculty of Natural & Mathematical Sciences, Department of Engineering, UK | www.kcl.ac.uk/people/elaine-chew Office: +33 (0) 1 44 78 48 35 | E-mail: <firstname>.<lastname>@ircam.fr text/html 2016-10-30T18:47:14+02:00 http://repmus.ircam.fr/esling?rev=1477849634&do=diff text/html 2013-01-08T08:51:20+02:00 http://repmus.ircam.fr/extraits?rev=1357631480&do=diff Page à supprimer text/html 2018-02-28T18:02:29+02:00 http://repmus.ircam.fr/farhang?rev=1519837349&do=diff => site perso text/html 2018-11-03T13:43:32+02:00 http://repmus.ircam.fr/fernandez?rev=1541249012&do=diff CV détaillé ---------- text/html 2020-02-21T13:03:05+02:00 http://repmus.ircam.fr/fouilleul?rev=1582286585&do=diff text/html 2020-10-12T14:52:13+02:00 http://repmus.ircam.fr/franceatlanta2020?rev=1602507133&do=diff text/html 2014-06-24T16:44:04+02:00 http://repmus.ircam.fr/freeboard?rev=1403621044&do=diff Computer and time Edward A. Lee. Computing needs time. COMMUNICATIONS OF THE ACM, 52(5), 2009. University of California, Berkeley A part of the formal methods History Link to HOP slides (open with Google Chrome) text/html 2022-06-17T16:49:31+02:00 http://repmus.ircam.fr/giavitto?rev=1655477371&do=diff text/html 2011-12-29T14:55:19+02:00 http://repmus.ircam.fr/giavittobingsiteauth.xml?rev=1325166919&do=diff text/html 2021-09-09T17:18:09+02:00 http://repmus.ircam.fr/graber?rev=1631200689&do=diff Emily Graber is a researcher and musician and current Marie Skłodowska-Curie Fellow. Her project, EAR Stretch, focuses on augmenting enjoyment of contemporary music through active tempo control, evaluated by physiological signals. Ear Stretch is hosted by the CNRS at the STMS lab in IRCAM, and supervised by Elaine Chew. text/html 2023-02-25T16:44:58+02:00 http://repmus.ircam.fr/home?rev=1677339898&do=diff The Music Representations team carries out research and development into the symbolic representation of musical structures, languages and computer paradigms adapted to music. This work finds application in both computer assisted composition (CAC) and computer-based musicology. Reflection into the high-level representation of musical concepts and structures supported by original computer languages developed by the team, leads to the conception of models, which can be used for both musical product… text/html 2023-09-16T02:56:41+02:00 http://repmus.ircam.fr/impro?rev=1694825801&do=diff Research projects 2021 - 2025 ERC REACH (Raising co-creativity in cyber-human Musicianship) 2020 - 2022 MERCI (Mixed Musical Reality with Creative Instruments) 2015 - 2018 ANR DYCI2 (Dynamics of Creative Improvised Interaction) 2010-2013 ANR ImproTech text/html 2012-05-17T16:36:06+02:00 http://repmus.ircam.fr/improtechbios?rev=1337265366&do=diff Back to Improtech Home Geri Allen Geri Allen is an internationally known composer and pianist. Since 1982, she has recorded, performed or collaborated with artists as diverse as Ravi Coltrane, Dianne Reeves, Liz Wright, and Simone, in a celebration of the life and music of Nina Simone, Donald Walden, Farah Jasmine Griffin, Bill Cosby, Mal Waldron, Sir Simon Rattle, Lee Konitz, Vernon Reid, Jackie Hillsman and Peter Bernard, JoAnne Akalaitis, Clark Terry, George Shirley, Carrie Mae Weem… text/html 2013-09-13T18:35:29+02:00 http://repmus.ircam.fr/improtechpny?rev=1379090129&do=diff Pictures of the event Videos of the Roulette Concert Conferences, Workshops & Performances :: May 16-18, 2012 in New York City The ImproTech Paris - NYC 2012 workshop is dedicated to the exploration of the links between musical improvisation and digital technologies. text/html 2018-11-08T16:02:23+02:00 http://repmus.ircam.fr/jacquemard?rev=1541689343&do=diff This page has moved to <https://jacquema.gitlabpages.inria.fr>. If you are not redirected automatically in 5 seconds, please click here... text/html 2013-12-18T12:12:59+02:00 http://repmus.ircam.fr/lbg?rev=1387365179&do=diff Postdoc researcher IRCAM - Music Representations Team 1, place Igor-Stravinsky 75004 Paris Email: laurent [dot] bonnasse-gahot [at] ircam [dot] fr Publications Journal Articles L. Bonnasse-Gahot and J.-P. Nadal, Perception of categories : from coding efficiency to reaction times. Brain Research, 1434 :47–61, 2012. text/html 2019-07-05T18:08:08+02:00 http://repmus.ircam.fr/lebel?rev=1562342888&do=diff PhD Student in Computer Music * Lab : Ircam (UMR 9912 STMS) * Team : Music Representations * Research directors : Mikhail Malt (IRCAM), Alain Bonardi (EDESTA) * frdric.lebel@gmail.com Papers * From Timbre Decomposition to Music Composition, Proceedings of Timbre 2018: Timbre Is a Many-Splendored Thing, Montreal, Quebec, Canada, July 2018. * Structuring Music by Means of Audio Clustering and Graph Search Algorithms, Journées d'Informatique Musicale, Collegium Musicae, Paris, May 2… text/html 2020-06-15T15:52:34+02:00 http://repmus.ircam.fr/legacy?rev=1592229154&do=diff L'orchestration assistée par ordinateur est un nouvel axe de recherche qui s'est développé au cours des quatre dernières années à l'IRCAM. L'orchestration est une science artistique, celle d'écrire les différentes voix instrumentales pour obtenir de l'orchestre un timbre spécifique. Par sa définition même, cette discipline révèle de multiples facettes de complexité. D'une part celle-ci se situe à la croisée des mondes du signal et de la symbolique. Son étude relève donc de paradigmes hétérogènes… text/html 2019-10-07T15:09:04+02:00 http://repmus.ircam.fr/makimono?rev=1570453744&do=diff text/html 2019-10-21T12:57:59+02:00 http://repmus.ircam.fr/malt?rev=1571655479&do=diff Publications - Seminars/Conferences & Talks - Teaching - Scientific Projects - Musical Projects & Others Computer Music Designer Teacher - Ircam - Education and Cultural Outreach Department Researcher -Représentations Musicales Team -Ircam - CNRS UMR 9912 (STMS) - UPMC -IReMus - MINT - Paris-Sorbonne Computer Musician / Composer (ô_ô) text/html 2018-10-30T16:28:04+02:00 http://repmus.ircam.fr/mic?rev=1540913284&do=diff * rapport d'évaluation de l'HCERES * [rapport d'activité 2012-2017 et projet pour le prochain quinquennal] * [annexe4: Produits et Activités de recherche] text/html 2019-04-13T17:25:10+02:00 http://repmus.ircam.fr/ml2?rev=1555169110&do=diff [Example of a ML-Maquette document about J.-S. Bach's Goldberg Variations, by F. Guédy, IRCAM.] Compositional approach to musical processes for music education Description The Musique Lab 2 project was carried out at IRCAM with funding and collaboration from the French Ministry of Education, with the objective to create new tools for music education using computer-aided compositional tools and technologies. The application (initially called ML-Maquette) has been designed and developed on t… text/html 2014-09-07T13:00:00+02:00 http://repmus.ircam.fr/model-based-conformance-timed-testing?rev=1410087600&do=diff Short Abstract Related Documentations References Related Internal Links IUT : antescofo: Team MUTANT : mutant: text/html 2018-10-29T14:14:29+02:00 http://repmus.ircam.fr/morciano?rev=1540818869&do=diff Portfolio Doctorat SACRe text/html 2023-01-16T11:06:35+02:00 http://repmus.ircam.fr/moreno-it?rev=1673863595&do=diff version française - english version - Progetti SMIR e ProAppMaMu - Corso su matematica e canzone - Corso sull'improvvisazione - Math'n Pop - Tonnetz Direttore di ricerca CNRS CNRS all'IRMA e membro del CREAA Università di Strasburgo 7 rue René-Descartes / F-67084 Strasbourg e-mail : andreatta[at]math.unistra.fr Review Editor del JMM e responsabile dei Progetti SMIR e ProAppMaMu Ricercatore associato all'equipe Rappresentazioni Musicali IRCAM - CNRS UMR 9912 (STMS) - Sorbonne Univ… text/html 2025-06-23T13:27:55+02:00 http://repmus.ircam.fr/moreno?rev=1750678075&do=diff english version - versione italiana - Projets SMIR et ProAppMaMu - Cours maths et chansons - Cours impro - Math'n Pop - Tonnetz Directeur de recherche CNRS à l'IRMA, membre du CREAA Université de Strasbourg 7 rue René-Descartes / F-67084 Strasbourg e-mail : andreatta[at]math.unistra.fr Review Editor du JMM et responsable des Projets SMIR et ProAppMaMu Chercheur associé à l'équipe Représentations Musicales IRCAM - CNRS UMR 9912 (STMS) - Sorbonne Université 1, place I. Strav… text/html 2012-05-19T18:02:56+02:00 http://repmus.ircam.fr/mrc-cmr?rev=1337443376&do=diff Le département IRC va éditer un numéro spécial de revue ''Contemporary Music Review'' sur la recherche musicale à l'Ircam. Vous êtes sur cette page probablement parce que vous êtes sollicité pour une contribution à ce numéro. Vous trouverez les informations relatives pour écrire vos articles ici: text/html 2013-08-21T15:24:40+02:00 http://repmus.ircam.fr/music-information-geometry?rev=1377091480&do=diff [Realtime music segmentation using information geometric methods] Information geometry is a recent field of mathematics, in particular of statistical inference, that studies the notions of probability and information by the way of differential geometry. It is an emerging field that brings together various fields such as machine learning, information theory, signal processing, and differential geometry. text/html 2019-01-17T10:40:31+02:00 http://repmus.ircam.fr/music-theory?rev=1547718031&do=diff The research axis on mathematics and music is currently developed within the SMIR Project supported by the University of Strasbourg Institute for Advanced Study and hosted by IRMA (Institut de Recherche Mathématique Avancée). Click here to be redirected to the SMIR Project official webpage. text/html 2012-12-24T14:37:33+02:00 http://repmus.ircam.fr/musync?rev=1356356253&do=diff text/html 2013-08-15T12:18:45+02:00 http://repmus.ircam.fr/mutant?rev=1376561925&do=diff <div class="news_box" style="width: 40%; float: right"><div class="news_header"><a class="news_header_link" href="http://repmus.ircam.fr/news/allnewsdata">NEWS flash</a></div> <div class="news_list" style="margin-right: 10px !important;""> </div></div> Mutant is a joint research project between Ircam, INRIA and CNRS since January 2012. MuTant is hosted within the Musical Representation Group at Ircam. The MuTant project lies at the intersection of two important problems in Computer Music: text/html 2020-08-21T14:52:45+02:00 http://repmus.ircam.fr/nika?rev=1598014365&do=diff => <http://jeromenika.com> Human-machine musical interactions, Research & Computer Music Design for performance & composition Music Representations Team, IRCAM text/html 2014-04-23T16:55:54+02:00 http://repmus.ircam.fr/nouno?rev=1398264954&do=diff Associate Researcher, Music Representations Team Computer Music Designer, Musical Production Team Composer - Sound Artist Ircam - Centre Pompidou, Paris, France. gilbert.nouno [at] ircam.fr Musical Research Interests * Tempo Follower / Beat tracking : PhD suivi de tempo appliqué aux musiques improvisées , Paris 6-Ircam 2008 * Electronic Music Composition & Design * Sound spatialization text/html 2025-05-14T16:43:39+02:00 http://repmus.ircam.fr/omax5?rev=1747233819&do=diff Description OMax is a software environment (Creative Agent) which learns in real-time typical features of a musician's style and plays along with him interactively, giving the flavor of a machine co-improvisation. It is based on a research on stylistic modeling carried out by Gerard Assayag and Shlomo Dubnov and a research on improvisation with the computer by G. Assayag, M. Chemillier and G. Bloch (Aka the OMax Brothers). OMax reinjects in several different ways the musician's material that… text/html 2012-12-08T15:55:30+02:00 http://repmus.ircam.fr/omaxwall?rev=1354978530&do=diff <html ><body> <div style="width: 708px; height: 228px; text-align: left;"><object class="dm_videowall logo_left" width="708" height="228" data="<http://www.dailymotion.com/videowall/playlist/x2ccuy_RepMus_omax>" type="application/x-shockwave-flash"><param name="movie" value="<http://www.dailymotion.com/videowall/playlist/x2ccuy_RepMus_omax>"></param><param name="allowscriptaccess" value="always"></param><param name="wmode" value="transparent"></param></object><a style="position: absolute; bottom… text/html 2020-07-16T15:50:29+02:00 http://repmus.ircam.fr/orchestration?rev=1594907429&do=diff Orchid* : Orchidee, Orchids, Orchidea Orchid* : the Computer Assisted Orchestration program of Ircam's Music Representation team Bibliography Musical works text/html 2011-03-08T14:37:31+02:00 http://repmus.ircam.fr/orchidee?rev=1299591451&do=diff [Orchidée] Grégoire Carpentier IRCAM, Représentations Musicales Description Orchidée is a computer-aided orchestration system. It aims at helping composer to write instrumental mixtures that achieve a given idea of timbre, i.e. a given orchestral color. The target timbre is provided by the user as a simple soundfile, and Orchidée searches within a large instrument sample database combinations of sounds that perceptually match the target. text/html 2013-03-29T16:24:31+02:00 http://repmus.ircam.fr/phd-fj?rev=1364570671&do=diff We are seeking a good candidate for a PhD starting in September 2013 at Ircam in the Musical Representations team and the INRIA team Mutant, Title: Formal mettons for the static analysis of realtime interactive music systems Research context: This PhD project will be hosted in a joint project-team between INRIA (Paris-Rocquencourt research unit), Ircam (Musical Representations Group) and CNRS, as part of the STMS Mixed Research Unit (UMR 9912) between Ircam, CNRS and University Pierre & Marie … text/html 2013-03-29T16:35:32+02:00 http://repmus.ircam.fr/phd-verif-ims?rev=1364571332&do=diff We are seeking a good candidate for a PhD starting in September 2013 at Ircam in the Musical Representations team and the INRIA team Mutant, Title: Formal mettons for the static analysis of realtime interactive music systems Research context: This PhD project will be hosted in a joint project-team between INRIA (Paris-Rocquencourt research unit), Ircam (Musical Representations Group) and CNRS, as part of the STMS Mixed Research Unit (UMR 9912) between Ircam, CNRS and University Pierre & Marie … text/html 2017-01-09T14:50:51+02:00 http://repmus.ircam.fr/poncelet?rev=1483969851&do=diff A.T.E.R: UPMC - Professor Assistant in Computer Science Thesis title: Model-Based Testing Real-Time and Interactive Music Systems Lab: Ircam (STMS) 1, place Igor-Stravinsky, 75004 Paris * Team : Musical Representations * Supervisors : Florent Jacquemard, Arshia Cont * e-mail: clement(dot)poncelet[at]ircam(dot)fr or clement(dot)poncelet[at]gmail(dot)com text/html 2011-11-25T20:41:11+02:00 http://repmus.ircam.fr/profupmc?rev=1322250071&do=diff Sept. 15 : opening of the candidature process (closing Oct. 16, 16h00) As the process is a little tricky, we have prepared a tutorial in english explaining in detail the different operations. This tutorial is adapted for people currently outside of the french academic system (typically researcher, prof. in a foreign university) text/html 2017-03-06T09:58:39+02:00 http://repmus.ircam.fr/publications_repmus?rev=1488790719&do=diff text/html 2025-01-05T19:57:32+02:00 http://repmus.ircam.fr/reach?rev=1736103452&do=diff SEE ALSO PUBLIC REACH WEB PAGE . Projet REACH : Raising Co-creativity in Cyber-Human Musicianship An ERC (European Research Council) Advanced Grant . PI: Gérard Assayag Co-creativity between humans and machines will lead to the emergence of distributed and performative information structures involving the cooperation of artificial and human agents with a significant impact on human practices, knowledges and cultures. The generative learning of symbolic representations from physical and hum… text/html 2011-03-24T09:03:20+02:00 http://repmus.ircam.fr/scofo-biblio?rev=1300953800&do=diff This page contains some important Score Following related bibliographies. You can help us by sending yours to include. text/html 2014-10-13T18:12:28+02:00 http://repmus.ircam.fr/score-following?rev=1413216748&do=diff [Score Following Screenshot for Partita I] Score following is the realtime synchronization of a live musician playing a score with the score itself and decoding of expressive parameters of the musician on the fly. The interest of score following is usually twofold: text/html 2015-10-17T15:46:22+02:00 http://repmus.ircam.fr/sirbu?rev=1445089582&do=diff PhD Candidate Maxime_dot_Sirbu_at_ircam_dot_fr Supervisor: Arshia Cont Lab : IRCAM — CNRS UMR 9912 (STMS) MuTant Team-project — Inria, Ircam, UPMC, CNRS c/o Music Representations Team — Ircam 1, place Igor-Stravinsky 75004 Paris — France University : UPMC — Université Pierre-et-Marie-Curie (Paris VI) EDITE de Paris — École Doctorale Informatique, Télécommunication et Électronique 4 Place Jussieu 75005 Paris – France text/html 2025-01-29T19:28:56+02:00 http://repmus.ircam.fr/somax2?rev=1738175336&do=diff This is the Somax2 team's project page. Somax2 is part of the ERC REACH project GO TO the IRCAM public Somax2 page Installing Somax2 * Install from Github : Read instructions and download last release, or * Install from Ircam Forum Page (you'll need to create a free account) text/html 2018-03-06T10:56:52+02:00 http://repmus.ircam.fr/symbolist?rev=1520330212&do=diff The SYMBOLIST software is a graphic notation environment for music and multimedia. GitHub Repository <https://github.com/ramagottfried/symbolist> text/html 2011-09-23T18:10:51+02:00 http://repmus.ircam.fr/synchrone?rev=1316794251&do=diff Synchronous programming languages are computer music languages optimized for real-time reactive systems and have long been used in avionics industries and embedded systems. This programming paradigm is of growing importance. Antescofo realtime score following system comes with a synchronous language, specialized for musical composition. It appears that many computer programming paradigms such as concurrency, broadcasting, dataflow programming is inherent in the long practice of musical composit… text/html 2012-04-21T04:56:47+02:00 http://repmus.ircam.fr/toto?rev=1334977007&do=diff Conferences, Workshops & Performances :: May 16-18, 2012 in New York City The ImproTech Paris - NYC 2012 is a mini festival dedicated to the exploration of the links between musical improvisation and digital technologies. Gathering researchers and artists from both research & creation scenes (and from elsewhere ), it favors the idea of using digital intelligence as a source of continuous and sophisticated creation, in a complex interaction with live musicians, as opposed to mere decorative … text/html 2013-12-05T23:57:42+02:00 http://repmus.ircam.fr/tsi-informatique-musicale?rev=1386284262&do=diff Numéro spécial de la revue TSI (Technique et Science Informatiques) => <http://tsi.revuesonline.com/auteurs.jsp> Appel à contribution Tout au long de son histoire, l’informatique a suscité un vif intérêt dans le domaine de la musique. Ainsi les premières machines, les premiers calculateurs ont-ils été mis au service de la musique, afin de produire des sons, d’analyser des structures, de créer des œuvres musicales. Au delà de l’acoustique et du traitement du signal, l’informatique musicale e… text/html 2020-11-19T16:28:13+02:00 http://repmus.ircam.fr/xxx?rev=1605799693&do=diff xxxx